vendredi 28 septembre 2012

Blog.SpoonGraphics | Latest Blog Entry

Blog.SpoonGraphics | Latest Blog Entry


Design Mockup Template Pack for Premium Members

Posted: 27 Sep 2012 11:00 PM PDT

Go Media, the creators of Shirt Mockup and the range of layered apparel mockup templates as part of the Go Media Arsenal are expanding their collection of useful design templates with their new site Mockup Everything. To celebrate the launch, Go Media has kindly supplied a pack of Pro Mockup ...

Log in to your Access All Areas account to read the rest of this post.

Not a member? Becoming an Access All Areas member gives you the ability to view exclusive members-only content just like this. The premium category is already packed full of discount codes and useful design resources, and there's plenty more to come! Find out more about becoming a member, or take a peek at what's available to premium members so far.

lundi 24 septembre 2012

Blog.SpoonGraphics | Latest Blog Entry

Blog.SpoonGraphics | Latest Blog Entry


The Best Ways To Make Your Photos Black & White

Posted: 23 Sep 2012 11:00 PM PDT

If you have an interest in Photography chances are one day you’ll want to convert one of your images to black and white to achieve that atmospheric and intense look. The actual process can be as easy as clicking a button, but what are the best ways to make your photos black and white in Photoshop? In this post I’ll cover some of the popular techniques and describe which methods give the best results.

How NOT to convert your images to black & white

First, let’s take a look at some of the common mistakes people make when trying to turn their photos to black and white.

Desaturate

Photoshop Desaturate adjustment layer

Image > Adjustments > Desaturate or sliding the Saturation level to zero in the Hue/Saturation options are two methods that quickly achieve a black and white effect, but this method is far from ideal. Desaturating an image simply removes the colour, but isn’t that what we want? Well, not really! A photograph is made up of various tones. When you desaturate an image it removes all the colour information and makes all areas of the image that are the same brightness or contrast the same shade of grey. This results in a flat and washed out looking image.

Grayscale

Changing an image to Grayscale in Photoshop

Another quick and dirty method to converting an image to black and white is to change the image mode to Greyscale. This yields similar results to Desaturation, where the image is left flat with low contrast. Photoshop even warns you when attempting this and recommends you use the Black & White conversion for more control.

The best ways to convert your images to black & white

So, we’ve covered what not to do, now let’s take a look at some techniques that will leave your photos looking great.

Channel Mixer

Photoshop Channel Mixer adjustment layer

The classic Photoshop black and white conversion technique is to play around with the Channel Mixer. These days the Channel Mixer can be found as an Adjustment Layer as well as under the adjustment menu, which helps keep this conversion non-destructive. The previous methods above discarded the colour information, but with the channel mixer you can finely control the tonal range of your image. Check the Monochrome option then move the Red, Green and Blue sliders to suit. Keep an eye on the total levels though, if you exceed 100% it means you’re blowing out some of the whites.

Black and White

Photoshop Black and White adjustment layer

Introduced back in Photoshop CS3, the Black and White adjustment (and adjustment layer) is a tool based on the old Channel Mixer method, but with a few more options. The Black and White adjustment layer gives you all the same channel controls as the Channel Mixer, but also allows you to add a tint for a cool sepia effect or cold horror movie tones. The Black and White adjustment layer also provides some default settings such as High Contrast Blue Filter, which can give you a head start when creating those intense black & white images.

Gradient Map

Photoshop Gradient Map adjustment layer

If you’re wanting to quickly make your images black and white, but don’t want to faff around with loads of fiddly slider controls you might want to try out the Gradient Map. The Gradient Map doesn’t remove any colour information, it just replaces it with a colour value from your chosen range. So if you select a black to white gradient the Gradient Map will swap the original colours for a grey tone of the same brightness, which helps maintain the overall contrast of your image. What’s more, you don’t have to stick with pure black or white, choose a dark blue and a creamy white for some cool vintage style film effects.

vendredi 21 septembre 2012

Blog.SpoonGraphics | Latest Blog Entry

Blog.SpoonGraphics | Latest Blog Entry


Art & Design Inspiration Fix for September 21st 2012

Posted: 20 Sep 2012 11:00 PM PDT

The Art & Design Inspiration Fix pulls together a collection of my favourite graphical images that I've come across over the past week to give you a fix of creative inspiration. This week we have designs from Tom Whalen, James White, Rafal Tomal, Jon May and Pavel Sabelnikov.

Duck! rabbit, duck! by Tom Whalen

Terminator 2: Judgement Day by James White

Redesign the Web by Rafal Tomal

Lettering Experiments by Jon May

Mask by Pavel Sabelnikov

lundi 17 septembre 2012

Blog.SpoonGraphics | Latest Blog Entry

Blog.SpoonGraphics | Latest Blog Entry


How To Create Your Own Judge Dredd Badge Design

Posted: 16 Sep 2012 11:00 PM PDT

One of the biggest movies at the moment is the Judge Dredd remake, which is obviously the inspiration for this tutorial. Follow this step by step guide to create yourself an awesome judge’s badge design with Adobe illustrator and Photoshop. We’ll create the basic artwork in Illustrator before moving over to Photoshop for colouring and texturing.

Judge Dredd badge design

This is the Judge Dredd badge we’ll be creating, inspired by the 2012 movie design. The various pieces are constructed using Illustrator’s pen and pathfinder tools, then Photoshop is used to texture the badge to give a distressed metal appearance.

View the final Judge Dredd badge design

We’ll need a reference photo to base our design on. There’s plenty of random photos you can steal from a quick Google Images search of “Judge Dredd badge”. Paste the photo into Illustrator, reduce the opacity then lock it into place with the shortcut CMD+2. Draw a polygon and move the points into place with the Direct Selection tool.

The lower edge of the badge is curved, so use the Pen tool to add an extra point and stretch out its bezier handles to match the reference photo.

To keep everything symmetrical, delete one side of the side then copy/paste the remaining half. Go to Object > Transform > Reflect to flip it, then join the two open points together with the shortcut CMD+J. Pro Tip: Toggle Smart Guides to make alignment easy (CMD+U).

Select the complete badge outline and go to Object > Path > Offset Path. Enter around -6mm to create a parallel inner line matching the reference photo.

Repeat the process a few more times to create a series of concentric lines.

Use the pen tool to trace the outline of the eagle head from the reference photo. Give this element a white fill to mask the intersecting lines. Use those Smart Guides to snap the path exactly to the badge outline.

Select all the uppermost points of the concentric shapes and extend them well beyond the edges of the main badge outline.

Copy (CMD+C) and Paste in Front (CMD+F) a duplicate of the badge outline, then select this and the first concentric shape and trim it to size by hitting the Intersect button from the Pathfinder palette. Paste in another copy of the badge outline and repeat the process with the next shape.

Begin filling out the inner details of the badge with simple shapes. Keeping those Smart Guides active will make it easy to line everything up.

Overlap two duplicates of the innermost concentric shape and ‘Subtract’ one from the other with the Pathfinder to create an arrowhead style shape to match the reference photo.

Make a copy of the arrowhead shape and nudge it upwards to create a gap between it and the rectangles, then use it with the pathfinder to trim each of the small rectangles to size. Remember to copy the shape before performing the first pathfinder command, as you’ll need to paste a copy back in ready for the next procedure.

Draw and rotate a rectangle to match the angle of the centre strip of of the badge. Overlap any diagonal lines you’ve already drawn to make sure all the angles are exactly the same.

Make a copy of the rectangle then use it as a tool along with the Pathfinder Subtract option to trim all the elements and split the badge in two.

The outer edge needs trimming in order to create the relevant shape, but that leaves a gap in the outline. Copy and Paste in Front a duplicate of the outline so a trimmed version can sit on top of the original.

Now all the pieces are in separate halves you can select and remove any lines that aren’t required.

Use the pen tool to trace the shapes on the bottom edge of the badge design. Make sure to extend the top and bottom edges so they can be trimmed exactly to size.

Make a copy of the arrowhead shape and use this to punch out the excess from each shape with the Pathfinder Subtract option.

Repeat the process of trimming down the shapes, but this time use a copy of the badge outline and use the Intersect option. In order to select the outline it will need to be Ungrouped. The recent Pathfinder command will have paired it with another element.

Copy and paste the series of shapes and Reflect them so they sit perfectly on the opposite side.

Draw a selection around all the elements that make up the badge and give them a white fill. Some objects might disappear, to correct this adjust the stacking order of elements with the shortcuts CMD=[ and CMD+]. Toggle outline mode (CMD+Y) to check for any hidden shapes.

To give the design a more natural shape, remove those sharp edges by adding 1mm of Round Corners from the Effect > Stylize menu.

Type out your name to fit into the centre strip. Here I’m using the font ONRAMP. Give the text a Shear effect to match the angle of the badge.

Go to Object > Expand and select just the Object option to convert the text to outlines. Swap the black fill for a white fill and black stroke to match the rest of the artwork.

The linework and basic design of our Judge Dredd badge is now complete, but let’s bring it to life with some colour and texture. For that we switch over to Photoshop!

Paste a copy of your Illustrator linework into Photoshop and scale it to size in a suitable document.

Use the Magic Wand tool to select a shape, then fill this area on a new layer.

Open up the Layer Style options for this layer and give it a gradient overlay using a mix of goldish tones. Alternate between colours to achieve a shiny effect.

Add a Drop Shadow to the shape using black, Linear Burn and size of around 35px.

Add an Inner Glow effect with a light yellow, Overlay and 13px size to add more highlighting tones.

Finally add a thin 2px stroke effect with the stroke fill set to gradient and using the same colour mix as the main overlay.

CMD+Click the layer to load its selection then fill a new layer with grey. Go to Filter > Noise > Add Noise and increase the amount to fill the area with heavy grain.

Next, go to Filter > Blur > Motion Blur and adjust the angle to vertical. Increase the distance to create a brushed metal effect.

Load the selection of the original shape again, then inverse this selection and remove the excess from the brush effect layer. Change this layer to Color Burn to allow the brushed metal effect to interact with the colours of the layer below.

Repeat this process for all the individual elements that make up the badge. Choosing to do this separately is quite time consuming, but it keeps every shape unique so the gradients and textures don’t continue across multiple areas.

The layer styles can be copied and pasted from one layer to the next, but don’t forget to adjust the angle of the gradient to avoid any uniform effects.

Once all the gold areas are filled, select the remaining areas that represent the background of the badge and fill these with a darker grey-brown.

Give these darker areas an Inner Shadow effect using black, Multiply and a size of around 20px.

Download a concrete texture file and paste it into the document. Use the selection of the darker areas to trim the texture to size.

Change this texture layer to Color Burn to allow the detailed texture to interact with the flat brown-grey colour.

Load the selection of all the gold elements and fill a new layer with grey. Add a subtle amount of grain using the Noise filter and change this layer to Color Burn at 40%.

Open up a rust texture and place it over the design. Trim it down to size using the same selection then desaturate it and change its blending mode to Soft Light.

These quick additions of texture really help bring the badge to life with distressed grimy metal effects that interact with the colours and highlights from the layer styles.

Judge Dredd badge design

This leaves our super cool Judge Dredd inspired badge design complete. Go forth and serve some justice!

Download the source file